Peter Kiernan on ISIS Strategy
Peter D. Kiernan, award-winning bestselling author, is an entrepreneur, philanthropist and advisor to businesses, non-profits and government. After a multi-decade Wall Street career, he left in 2000 to pursue venture capital start-ups, nonprofit work and writing. A 25 year Robin Hood Foundation board member, and past Chair and President of the Christopher and Dana Reeve Foundation; he has served on the boards of numerous hospitals, colleges, graduate schools, disability and poverty fighting organizations and charter school initiatives and currently serves on the Al Smith Foundation. A frequent contributor on TV talk shows, radio programs and public speaking forums; Kiernan’s last book, Becoming China’s Bitch won the International Book Award and was a New York Times Bestseller. He holds an MBA from Darden at UVa where he sits on the President’s Advisory Group; and a BA from Williams College and lives in New England with his family.
His latest book “American Mojo: Lost and Found” is a penetrating look at how America has let its core middle class founder and how we are preventing this resilient majority from achieving their destiny.

Rep. Peter King on Donald Trumps Proposal

Rep. King is a member of the Homeland Security Committee and Chairman of the Sub-Committee on [Counterterrorism and Intelligence]. He also serves on the Financial Services Committee and Permanent Select Committee on Intelligence. Congressman King, who previously served as Chairman of the Committee in 2005-2006 and again in 2011-2012, has been a leader in the ongoing effort to have Homeland Security funding based on threat analysis and is a strong supporter of the war against international terrorism, both at home and abroad. As Chairman of the Homeland Security Committee, he stood up to the pressure from special interest groups and the media to hold a series of hearings on Islamic radicalization. Chairman King led the fight to continue funding to the Secure the Cities Program to protect the New York-Long Island region from nuclear dirty bomb attacks.
During his years in Congress, Rep. King has attained a reputation for being well-informed and independent. Following the ravages of Superstorm Sandy, Rep. King led the successful fight in Congress to obtain $60.4 billion in emergency funding for the victims of the storm. Even Newsday has admitted that Congressman King is a "stand-up guy who isn’t shy about tangling with the powerful, even those in his own party. King has become a national figure who delivers for the region and his district."
Rep. King is a strong supporter of law enforcement, our military and has fought hard to bring veterans’ benefits into the 21st century. Congressman King is also a strong supporter of funding to combat deadly illnesses such as breast cancer and prostate cancer. He has also received the AARP's Legislative Leadership Award for combating elder abuse and exploitation.
Prior to serving in Congress, Pete King was elected to three terms as the Comptroller of Nassau County. Before serving in county government, Rep. King had extensive experience as a practicing attorney and civic leader. He began his political career in November 1977 by winning election to the Hempstead Town Council. Rep. King is also a member of the Knights of Columbus, Knights of Pythias, AMVETS and the Fighting 69th Veterans Corps.
"Blonde on Blonde"
The Blondes commented on Hillary’s gay rights ad featuring a lesbian couple kissing. Lis said Hillary’s only advocated for gay rights since 2013, so she’s a little late to the game. Deirdre called her a phony, so her showing support now makes sense.
Pete Hamill on Legendary Musician Frank Sinatra

Journalism
In the summer of 1960, Hamill went to work as a reporter for the New York Post and began to learn his craft (the story is told in his 1994 memoir, A Drinking Life.) In 1962-63, a prolonged newspaper strike led him to writing magazine articles and by the fall of 1963 he was in Europe as a correspondent for the Saturday Evening Post. Based for six months in Barcelona, and five months in Dublin, he roamed Europe, interviewing actors, movie directors, novelists and ordinary citizens. He was in Belfast with his father on Nov. 22, 1963, when John F. Kennedy was assassinated, and he witnessed both sides of the sectarian quarrel mourning the fallen American president.
Hamill returned to New York in August 1964, covered the Democratic Convention in Atlantic City, and worked briefly at the New York Herald Tribune as a feature writer. In the fall of 1965, he started writing a column for the New York Post. By Christmas, he was in Vietnam. His newspaper career would go on for decades, at the Post, the New York Daily News, the Village Voice, and New York Newsday. He would serve briefly as editor of the Post, and later as editor-in-chief-of the Daily News. His longer journalistic work has appeared in New York magazine, the New Yorker, Esquire, Playboy, Rolling Stone, and other periodicals.
From the beginning, he has been a generalist, not a specialist. He has written about wars in Vietnam, Nicaragua, Lebanon and Northern Ireland. He covered the urban riots of the 1960s. He has covered local and national politics. He wrote about the New York underclass too, their hopes and ambitions, and sometimes, tragedies. But he also wrote about jazz, rock 'n' roll (winning a 1975 Grammy for Best Liner Notes for Bob Dylan's "Blood on the Tracks"), boxing, baseball, and art. At different periods (in addition to Barcelona and Dublin), he has lived in Mexico City, San Juan, P.R., Rome, Los Angeles, Santa Fe, N.M. He has always returned to New York.
Two collections of his selected journalism have been published: "Irrational Ravings" (1971) and "Piecework" (1996). He edited for Library of America two volumes of the journalism of A.J. Liebling. In 1998, he published an extended essay on journalism at the end of the 20th century called "News Is A Verb" (Ballantine).
In the summer of 1968, Hamill published his first novel, a thriller called "A Killing for Christ," about a plot to assassinate the Pope on Easter Sunday in Rome. This was followed by a short semi-autobiographical novel called "The Gift", where he first began using his Brooklyn roots in a fictional form. Most of his fiction is also set in New York City, including "Snow in August" (1997), "Forever" (2003), "North River" (2007) "Tabloid City" (2011) and "The Christmas Kid" (2012).
In addition, he has published more than 100 short stories in newspapers, following the example of fiction writers from O. Henry to Alberto Moravia. In the New York Post, the Hamill short stories were part of a series called "The Eight Million." In the Daily News, the stories ran under the title "Tales of New York." He has published two volumes of short stories: "The Invisible City: A New York Sketchbook" (Random House. 1980) and "Tokyo Sketches" (Kodansha. 1992).
Hamill's 1994 memoir, "A Drinking Life", was a critical and commercial success. It chronicled his journey from childhood into his thirties, his embrace of drinking and the decision to abandon it. The late Frank McCourt once told him that Hamill's book encouraged him to complete his own memoir, "Angela's Ashes." Hamill's portrait of "Downtown: My Manhattan" (Little, Brown. 2004) is a combination of memoir, history, and reporting about the area of Manhattan where he has spent much of his adult life. It includes some of his own reporting on the destruction of the World Trade Center on September 11, 2001, at which he was present.
His passions for art and for Mexico drive his book on the muralist Diego Rivera (Abrams. 1999), a lavishly illustrated volume that explores, among other matters, the effects of ideology on Rivera's art. In "Tools as Art" (Abrams. 1995) he moves through the Hechinger Collection, exploring the idea of tools and the way artists see them (and use them). His biographical essay on the artist was featured in "Underground Together: The Art and Life of Harvey Dinnerstein" (Chronicle Books. 2008). Much of Dinnerstein's work is infused with the light of Hamill's Brooklyn, and the people who live there, walking its streets, riding its ferries and subways.
Hamill has often said that he has learned much from photographers, and he has written often about their work. In "New York: City of Islands" (Monacelli Press. 2007), he celebrates his home city as captured by the lens of Jake Rajs. "New York Exposed: Photographs from the Daily News" (Abrams.2001) contains an extended essay about the New York Daily News and its crucial role in the story of photography in American journalism. In his introduction to "Mexico: The Revolution and Beyond" (Aperture. 2003), Hamill tells the story of Agustin Victor Casasola, whose great photographs helped define the Revolution of 1910-1920 and the surge towards modernity that arrived when the shooting ended. In his introduction to "A Living Lens: Photographs of Jewish Life From the Pages of the Forward" (Norton. 2007) Hamill evokes the great days of the Yiddish press. His text for "The Times Square Gym" (Evan. 1996) explores the lives of the prizefighters in John Goodman's superb photographs. His introduction to "Garden of Dreams: Madison Square Garden" (Stewart Tabori & Chang.2004) offers a context for the sports photography of George Kalinski. His own Irish heritage permeates the text for "The Irish Face in America" (Bulfinch. 2004) as seen by the photographer Jim Smith.
Hamill has also written about the effect of comics on his life (he has a collection of framed comic strip originals above his desk). Among his writings are an introduction to "Terry and the Pirates" Volume two" by Milton Caniff (Library of American Comics. 2007). He wrote an introductory text for a new version of Al Hirschfeld's "The Speakeasies of 1932" (Glenn Young. 2003). Most recently, he contributed an introduction to "Jerry Robinson: Ambassador of Comics" (Abrams. 2010), hailing the man who helped create the modern comic book, including one the great villains: The Joker.
